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SUMMARY:Flamenco PalosAugust 2023 - May 2024
DESCRIPTION:FLAMENCO PALOS WITH JUAN PARILLA\nFour Sessions  |  Virtual (Zoom)\nAugust 2023 – May 2024\n \nSundays from 12:00 – 2:00 pm EST via Zoom \nThis four-part series offers a complete study of the flamenco palos; the traditional musical forms characteristic of flamenco with specific verses\, moods\, tones\, and rhythmic structures. Each session in the series will focus on melodic and rhythmic analysis as well as an exploration of the evolution of each palo from its origin to today. Students will learn to distinguish between each rhythm and identify a palo’s unique characteristics and sub-styles. Dancers\, musicians\, and aficionados alike are welcome; a general knowledge of flamenco music is recommended. \n*This is a virtual class given in Spanish with English translation.\n**A recording will be available for 7 days after each live class.\n\n\n\n\n\nARTIST & INSTRUCTOR BIOS\nJuan Parilla\nJuan\, a native of Jerez\, is a composer\, performer and educator hailing from a family of renowned flamenco dancers\, singers and musicians.  He began studying flute at the Conservatorio de Música in Jerez and later moved to Madrid to study under Andrés Carreres\, a soloist with the National Orchestra of Spain.  His career has taken him to the world stages with artists such as Antonio Canales\, María Juncal\, Lola Greco\, Manuela Carrasco\, and Farruquito.  You can hear his original compositions in his album “Taxdirt” and on the albums of Ketama\, Carmen Linares\, Manolo Sanlucar and Jose Mercé.  He teaches at the Escuela Nueva Músicas\, Centro de Flamenco y Danza El Lucero\, coordinates the music department at the Centro Superior de Estudios del Flamenco and is the author of the educational book Método Flamenco Para Instrumentos Melódicos (The Flamenco Method for Melodic Instruments).  Juan most recently led a Flamenco Seminar for Melodic Instruments at the renowned International Festival\, Cante de las Minas. \nDr. M. Gabriela Estrada (Translator)\nDr. Estrada is a multicultural dance artist\, educator\, choreographer\, journalist\, and filmmaker.  She holds a B.A. and an M.F.A. in Dance from the University of California\, Irvine\, and a Ph.D. in Flamenco Interdisciplinary Studies from the Department of Sociocultural Anthropology and Philology at the University of Seville\, Spain. Dr. Estrada’s MFA and Ph.D. research\, publications\, and creative work analyze reciprocal influences between ballet and flamenco derived from interdisciplinary collaborations as exemplified in Ballets Russes’ Tricorne. Examples of her work include choreographic advocacy initiatives such as Not a Single Carmen More!\, the documentary film ENI9MA: The Legend of Félix\, the feature-length screenplay False Premises\, and the book titled The Choreographic Development of The Three-Cornered Hat Through the 20th Century. Dr. Estrada is invested in collaborating with cultural institutions such as the Instituto Sonorense de Cultura in Mexico\, and Ballet Hispánico and Flamenco Vivo in NYC. In Mexico\, she was the founding director of Dance Collage School of Dance\, and the first cohort of faculty at the Universidad de Sonora.  Dr. Estrada has also served as an instructor and faculty at colleges and universities\, including East Carolina University\, where she was Co-Chair of the Inclusion and Diversity Action Committee. Dr. Estrada serves NDEO as Advisory Board Director of Research\, Sundance Collab as Community Leader\, and is an active member of the Dance Studies Association\, and women’s film associations such as NYWIFT and MCYTV.  This year Dr. Estrada will join the University of Houston as an Assistant Professor of Dance. \n\nSESSION 1\n\nSESSION 2\n\nSESSION 3\n\nSESSION 4
URL:https://flamenco-vivo.org/event/flamenco-palosaugust-2023-may-2024/
LOCATION:Zoom (Virtual)
CATEGORIES:Classes,Evolución,Flamenco Vivo Events
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DTSTART;TZID=America/New_York:20240303T120000
DTEND;TZID=America/New_York:20240324T133000
DTSTAMP:20260405T225325
CREATED:20240130T184128Z
LAST-MODIFIED:20240222T205416Z
UID:13143-1709467200-1711287000@flamenco-vivo.org
SUMMARY:Virtual History Classes March 2024
DESCRIPTION:EVOLUCIÓN: Topics in Flamenco History\nMarch 3\, 10\, 17\, 24  |  Virtual (Zoom)\nSundays @ 12:00–1:30 PM EST \nThis four-part history series addresses essential questions that impact our understanding of the flamenco art form. \nDEFINING FLAMENCO: Sunday\, March 3\nWhat do we mean by “flamenco”? What forms\, styles\, and aesthetics are included in this term? How do we study its history? What are our sources\, and how do we use them? \nFLAMENCO STYLE AND REPRESENTATION: Sunday\, March 10\nWho and what influenced flamenco culture? How did the most prominent flamenco styles emerge? Who performs\, where\, and why? \nWOMEN AND FLAMENCO: Sunday\, March 17\nWhere did the image of the female flamenco dancer\, which is often the most representative of the art form\, come from? How is it used\, and how did it affect the realities of women in flamenco over time? \nFLAMENCO HERITAGE: Sunday\, March 24\nWhat flamenco families have been integral in shaping the art form over generations? \n  \n*A recording will be available for 7 days after each live class. \n \n\nTICKETS\nSingle Class – $25 / All Classes – $80 \n\n\nABOUT THE EDUCATOR\nCLARA CHINOY\, Universidad de Sevilla \nClara Chinoy is an independent flamenco dancer and researcher who has lived between Madrid\, Seville and Jerez for over 30 years. She is honored to have shared the stage with Miguel Funi\, Concha Vargas and Pepe Torres\, and to dance in fiesta to the cante of Miguel Funi\, Fernanda de Utrera\, Pepa de Utrera\, Gaspar de Utrera\, and Inés Bacán. She holds a B.A. in Anthropology from Harvard University; an M.F.A. in Dance from Tisch School of the Arts\, New York University; a Masters in Scenic Arts from Universidad Rey Juan Carlos and a Diploma of Advanced Studies from the Multidisciplinary program of Flamenco studies at the Universidad de Sevilla. She has taught at Smith\, Mount Holyoke and Hunter Colleges\, Wesleyan University\, Universidad Carlos III\, Universidad Rey Juan Carlos and Universidad de Sevilla. Her doctoral work in Gitano history\, integration and identity (Anthropology\, U. Sevilla) is based on a Fulbright Senior Research Grant (2000) in Andalucía. She has published in Flamenco on the Global Stage (MacFarland Books)\, Celebrating Flamenco’s Tangled Roots (Cambridge Scholars Publishing) and the Journal of Gypsy Studies\, and has recently completed the translation from Spanish to English of American Gitanos\, An Ethnography of the Calós in Mexico City by David Lagunas\, soon to be published by Palgrave MacMillan. In 1998 Clara received a grant from Meet the Composer to collaborate with her husband\, guitarist David Serva\, to create “Carmen’s Sisters” for Flamenco Vivo Carlota Santana\, a dance/theater piece built on traditional flamenco verses which speak of women’s experience. In 1999 she created the first version of Navidad Flamenca\, loosely based on the Nutcracker\, in collaboration with guitarist David Serva and the other artists involved in the production. This production toured for two Christmas seasons\, and has become part of the Company repertory. She is also an experienced performer and teacher of classical South Indian dance.
URL:https://flamenco-vivo.org/event/virtual-history-classes-march-2024/
LOCATION:Zoom (Virtual)
CATEGORIES:Classes,Evolución,Flamenco Vivo Events,NYC Flamenco Pass
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