BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Flamenco Vivo Carlota Santana - ECPv6.15.20//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://flamenco-vivo.org
X-WR-CALDESC:Events for Flamenco Vivo Carlota Santana
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20230312T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20231105T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20240310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20241103T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20250309T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20251102T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240303T120000
DTEND;TZID=America/New_York:20240324T133000
DTSTAMP:20260417T192258
CREATED:20240130T184128Z
LAST-MODIFIED:20240222T205416Z
UID:13143-1709467200-1711287000@flamenco-vivo.org
SUMMARY:Virtual History Classes March 2024
DESCRIPTION:EVOLUCIÓN: Topics in Flamenco History\nMarch 3\, 10\, 17\, 24  |  Virtual (Zoom)\nSundays @ 12:00–1:30 PM EST \nThis four-part history series addresses essential questions that impact our understanding of the flamenco art form. \nDEFINING FLAMENCO: Sunday\, March 3\nWhat do we mean by “flamenco”? What forms\, styles\, and aesthetics are included in this term? How do we study its history? What are our sources\, and how do we use them? \nFLAMENCO STYLE AND REPRESENTATION: Sunday\, March 10\nWho and what influenced flamenco culture? How did the most prominent flamenco styles emerge? Who performs\, where\, and why? \nWOMEN AND FLAMENCO: Sunday\, March 17\nWhere did the image of the female flamenco dancer\, which is often the most representative of the art form\, come from? How is it used\, and how did it affect the realities of women in flamenco over time? \nFLAMENCO HERITAGE: Sunday\, March 24\nWhat flamenco families have been integral in shaping the art form over generations? \n  \n*A recording will be available for 7 days after each live class. \n \n\nTICKETS\nSingle Class – $25 / All Classes – $80 \n\n\nABOUT THE EDUCATOR\nCLARA CHINOY\, Universidad de Sevilla \nClara Chinoy is an independent flamenco dancer and researcher who has lived between Madrid\, Seville and Jerez for over 30 years. She is honored to have shared the stage with Miguel Funi\, Concha Vargas and Pepe Torres\, and to dance in fiesta to the cante of Miguel Funi\, Fernanda de Utrera\, Pepa de Utrera\, Gaspar de Utrera\, and Inés Bacán. She holds a B.A. in Anthropology from Harvard University; an M.F.A. in Dance from Tisch School of the Arts\, New York University; a Masters in Scenic Arts from Universidad Rey Juan Carlos and a Diploma of Advanced Studies from the Multidisciplinary program of Flamenco studies at the Universidad de Sevilla. She has taught at Smith\, Mount Holyoke and Hunter Colleges\, Wesleyan University\, Universidad Carlos III\, Universidad Rey Juan Carlos and Universidad de Sevilla. Her doctoral work in Gitano history\, integration and identity (Anthropology\, U. Sevilla) is based on a Fulbright Senior Research Grant (2000) in Andalucía. She has published in Flamenco on the Global Stage (MacFarland Books)\, Celebrating Flamenco’s Tangled Roots (Cambridge Scholars Publishing) and the Journal of Gypsy Studies\, and has recently completed the translation from Spanish to English of American Gitanos\, An Ethnography of the Calós in Mexico City by David Lagunas\, soon to be published by Palgrave MacMillan. In 1998 Clara received a grant from Meet the Composer to collaborate with her husband\, guitarist David Serva\, to create “Carmen’s Sisters” for Flamenco Vivo Carlota Santana\, a dance/theater piece built on traditional flamenco verses which speak of women’s experience. In 1999 she created the first version of Navidad Flamenca\, loosely based on the Nutcracker\, in collaboration with guitarist David Serva and the other artists involved in the production. This production toured for two Christmas seasons\, and has become part of the Company repertory. She is also an experienced performer and teacher of classical South Indian dance.
URL:https://flamenco-vivo.org/event/virtual-history-classes-march-2024/
LOCATION:Zoom (Virtual)
CATEGORIES:Classes,Evolución,Flamenco Vivo Events,NYC Flamenco Pass
ATTACH;FMTTYPE=image/png:https://flamenco-vivo.org/wp-content/uploads/2024/01/Flamenco-History-Class-2024.png
END:VEVENT
END:VCALENDAR