Flamenco Vivo Carlota Santana is the nation’s most prominent flamenco and Spanish dance company dedicated to honoring the traditions of flamenco while expanding the art form in new directions. Throughout our history, we have employed emerging dance/music artists, and have premiered more than two dozen original works, offering commissions to outstanding US choreographers as well as renowned artists from Spain.
Flamenco Vivo Carlota Santana is the nation’s most prominent flamenco and Spanish dance company dedicated to honoring the traditions of flamenco while expanding the art form in new directions. Throughout our history, we have employed emerging dance/music artists, and have premiered more than two dozen original works, offering commissions to outstanding US choreographers as well as renowned artists from Spain.
José Maldonado was born in Barcelona and received his degree in Spanish Dance and Flamenco from the Professional Conservatory there. At 18 he moved to Madrid and studied with María Magdalena, Paco Romero and La China who helped form him and dedicate himself to flamenco. He became a member of different companies each with its own style from the most traditional to the most contemporary: Javier Latorre, Antonio Canales, María Pagés, Blanca Li, Guito, Rocío Molina, Rafaela Carrasco, Marco Flores, Ballet Flamenco de Andalucía, and Carlos Chamorro. At the same time Maldonado continued his development performing at various tablaos: Casa Patas, Corral de la Morería, Café de Chinitas, Villa Rosa y las Carboneras. José received first prize for best solo choreography (2013) and group choreography (2015) at the Madrid Certamen de Danza Española y Flamenco. Maldonado has worked with Guadalupe Torres and Manuel Liñan, acting as assistant to direction and choreography. He produced his first full work Andrea in 2014. In 2016 he collaborated with Antonio Canales and Carmen Angulo to produce Bodegon, fusing dance, baroque music, and painting with flamenco. Bodegon has toured to France and Mexico. José also paints, and he has done title pages for performance programs and has creates designs for costumes.
José Maldonado was born in Barcelona and received his degree in Spanish Dance and Flamenco from the Professional Conservatory there. At 18 he moved to Madrid and studied with María Magdalena, Paco Romero and La China who helped form him and dedicate himself to flamenco. He became a member of different companies each with its own style from the most traditional to the most contemporary: Javier Latorre, Antonio Canales, María Pagés, Blanca Li, Guito, Rocío Molina, Rafaela Carrasco, Marco Flores, Ballet Flamenco de Andalucía, and Carlos Chamorro. At the same time Maldonado continued his development performing at various tablaos: Casa Patas, Corral de la Morería, Café de Chinitas, Villa Rosa y las Carboneras. José received first prize for best solo choreography (2013) and group choreography (2015) at the Madrid Certamen de Danza Española y Flamenco. Maldonado has worked with Guadalupe Torres and Manuel Liñan, acting as assistant to direction and choreography. He produced his first full work Andrea in 2014. In 2016 he collaborated with Antonio Canales and Carmen Angulo to produce Bodegon, fusing dance, baroque music, and painting with flamenco. Bodegon has toured to France and Mexico. José also paints, and he has done title pages for performance programs and has creates designs for costumes.
Karen Lugo is a Mexican dancer, knowledgeable and respectful of tradition and at the same time restless and innovative. She has participated as soloist in the Festival de Jerez, Festival Sangre Nueva Jóvenes Flamencos del Teatro Español de Madrid, in the series Flamencos y Mestizos de la Fundación SGAE, in the Festival Flamenco Ibérica Contemporánea, in the series Concierta Independencia in the Lunario del Auditorio Nacional de la Ciudad de México, Festival Flamenco de Vancouver, Festival Flamenco de Montreal, Festival Flamenco Ciudad de Jaén, Festival Flamenco Madrid and Festival Flamenco de Saintes, among many others. In collaboration with the Casa Patas Flamenco Foundation, she has premiered three shows; “Flamencura”, “Flamenco Territorio DeMente” and “Flamenco Frequencies” with tours in the Middle East and the United States. As a choreographer she has been awarded with Best Choreography award Spring Film Festival of Barcelona, First Prize for Flamenco Dance at the International Festival of Almeria, First Prize for Choreography at the Contemporary Flamenco Festival of Finland and Third Prize for Choreography at the XVII Certamen de Danza Española y Flamenco de Madrid. Under the direction of Javier Latorre, she participated in the film “Flamenco Flamenco” by Carlos Saura, and in ¨FLAMENCONAUTAS¨ and ¨Lorca x Bach¨. Her latest show is entitled ¨Golpe de Tierra” (Nominated for the Premis de la Crítica d’Arts Escéniques in the category of best solo show). She currently participates as choreographer and performer of ¨Caminos ¨ by Juan Gómez Chicuelo, ¨Cant Espiritual ¨ by Carles Denia, ¨CAYANA¨ by Anna Colom, ¨El Amir Ensemble ¨ by Amir Haddad, and in ¨Por Bach¨(Innovation Award GEMA 2020 ) by Hippocampus with Jorge Pardo.
Karen Lugo a Mexican dancer, knowledgeable and respectful of tradition and at the same time restless and innovative. She has participated as soloist in the Festival de Jerez, Festival Sangre Nueva Jóvenes Flamencos del Teatro Español de Madrid, in the series Flamencos y Mestizos de la Fundación SGAE, in the Festival Flamenco Ibérica Contemporánea, in the series Concierta Independencia in the Lunario del Auditorio Nacional de la Ciudad de México, Festival Flamenco de Vancouver, Festival Flamenco de Montreal, Festival Flamenco Ciudad de Jaén, Festival Flamenco Madrid and Festival Flamenco de Saintes, among many others. In collaboration with the Casa Patas Flamenco Foundation, she has premiered three shows; “Flamencura”, “Flamenco Territorio DeMente” and “Flamenco Frequencies” with tours in the Middle East and the United States. As a choreographer she has been awarded with Best Choreography award Spring Film Festival of Barcelona, First Prize for Flamenco Dance at the International Festival of Almeria, First Prize for Choreography at the Contemporary Flamenco Festival of Finland and Third Prize for Choreography at the XVII Certamen de Danza Española y Flamenco de Madrid. Under the direction of Javier Latorre, she participated in the film “Flamenco Flamenco” by Carlos Saura, and in ¨FLAMENCONAUTAS¨ and ¨Lorca x Bach¨. Her latest show is entitled ¨Golpe de Tierra” (Nominated for the Premis de la Crítica d’Arts Escéniques in the category of best solo show). She currently participates as choreographer and performer of ¨Caminos ¨ by Juan Gómez Chicuelo, ¨Cant Espiritual ¨ by Carles Denia, ¨CAYANA¨ by Anna Colom, ¨El Amir Ensemble ¨ by Amir Haddad, and in ¨Por Bach¨(Innovation Award GEMA 2020 ) by Hippocampus with Jorge Pardo.
Emilio was born in Valencia and began his training at the age of nine. At 12 he collaborated with the National Ballet of Spain and at 16 moved to Madrid continuing his training and finishing his studies at the The Royal Professional Conservatory of Madrid “Mariemma.” He has performed with the Companies of Domingo Ortega, Inma Ortega, Malucos Danza, Nuevo Ballet Español (Rojas and Rodríguez), and Aida Gómez and performed in various tablaos, nationally and internationally. In 2013 he created his own Company and produced works such as: 3DEUNO and SIROCO. He has choreographed for the Rafael Aguilar Company and for the production of “Oh Cuba” in Granada at the Generalife. He choreographed Romeo and Juliet for the EBB Company, and “Sin Duda.” for the latest production of the Royal Professional Conservatory “Marienma.” He performs workshops and masterclasses traveling to the United States, Canada, London, and Europe. During his career he has received many awards: 1st prize in the international contest of Spanish dance and flamenco city of Almeria. First prize Talentmadrid 2016 and First prize in the Certamen de Baile Español y Flamenco in Madrid in 2016. In 2018, he was a candidate for the 2018 MAX awards for a best male performance and a best new show for SIROCO. Presently he is performing as guest artist and touring with his latest 3DEUNO and SIROCO shows. He has performed in festivals such as the Jerez Festival, Suzanne Dellal Festival, and Flamenco Madrid Festival, among others.
Emilio was born in Valencia and began his training at the age of nine. At 12 he collaborated with the National Ballet of Spain and at 16 moved to Madrid continuing his training and finishing his studies at the The Royal Professional Conservatory of Madrid “Mariemma.” He has performed with the Companies of Domingo Ortega, Inma Ortega, Malucos Danza, Nuevo Ballet Español (Rojas and Rodríguez), and Aida Gómez and performed in various tablaos, nationally and internationally. In 2013 he created his own Company and produced works such as: 3DEUNO and SIROCO. He has choreographed for the Rafael Aguilar Company and for the production of “Oh Cuba” in Granada at the Generalife. He choreographed Romeo and Juliet for the EBB Company, and “Sin Duda.” for the latest production of the Royal Professional Conservatory “Marienma.” He performs workshops and masterclasses traveling to the United States, Canada, London, and Europe. During his career he has received many awards: 1st prize in the international contest of Spanish dance and flamenco city of Almeria. First prize Talentmadrid 2016 and First prize in the Certamen de Baile Español y Flamenco in Madrid in 2016. In 2018, he was a candidate for the 2018 MAX awards for a best male performance and a best new show for SIROCO. Presently he is performing as guest artist and touring with his latest 3DEUNO and SIROCO shows. He has performed in festivals such as the Jerez Festival, Suzanne Dellal Festival, and Flamenco Madrid Festival, among others.
Fanny Ara is an internationally-sought after and award-winning choreographer, performer and instructor. Her most dedicated worldwide fans especially credit her as one of the driving forces of flamenco today; an artist excelling in the full spectrum of flamenco, from the most traditional to the avant-garde. Fanny has been an invited artist in national and international festivals and has toured extensively in Canada, Central and South America, the Middle East, Africa, and throughout Europe. She has been distinguished since 2006 with nominations from the Isadora Duncan Dance Awards in the categories of Most Outstanding Individual Dancer, Most Outstanding Music, Ensemble, and Individual Performance for her project, Juncal Street, and Best Ensemble for her work with the San Francisco Opera in La Traviata. New York’s Vilcek Foundation also awarded Fanny a prestigious finalist prize for “Creative Promise in Dance” in 2012. Fanny’s versatility in the art form of flamenco is manifested in her many artistic works. As Philip Gardner said of her performance at the Joyce Theater in New York City “My newest love is Fanny Ara…the captivating expressive qualities of Fanny’s upper body mesmerized us while her footwork dazzled both the eye and the ear…she soared into the upper most echelon of dance artists I have witnessed over the years.”
Fanny Ara is an internationally-sought after and award-winning choreographer, performer and instructor. Her most dedicated worldwide fans especially credit her as one of the driving forces of flamenco today; an artist excelling in the full spectrum of flamenco, from the most traditional to the avant-garde. Fanny has been an invited artist in national and international festivals and has toured extensively in Canada, Central and South America, the Middle East, Africa, and throughout Europe. She has been distinguished since 2006 with nominations from the Isadora Duncan Dance Awards in the categories of Most Outstanding Individual Dancer, Most Outstanding Music, Ensemble, and Individual Performance for her project, Juncal Street, and Best Ensemble for her work with the San Francisco Opera in La Traviata. New York’s Vilcek Foundation also awarded Fanny a prestigious finalist prize for “Creative Promise in Dance” in 2012. Fanny’s versatility in the art form of flamenco is manifested in her many artistic works. As Philip Gardner said of her performance at the Joyce Theater in New York City “My newest love is Fanny Ara…the captivating expressive qualities of Fanny’s upper body mesmerized us while her footwork dazzled both the eye and the ear…she soared into the upper most echelon of dance artists I have witnessed over the years.”
Lorena began studying dance at the age of five in her home town of Cordoba. She continued her studies there until 2005 when she received a grant to study with the well-known Maestro Granero in Seville. There she also studied with Andrés Marín, Isabel Bayón, Rocío Coral, Matilde Coral, Rubén Olmo, Antonio Canales, Rafael Campallo, Encarna López, Adela Campallo and Eva Yerbabuena, among others. She began her professional career with Eva Yerbabuena in 2006 and worked with her until 2017 as rehearsal director. She then worked with other companies such as Daniel Navarro, Javier Latorre, Andrés Peña, Álvaro Paños, among others. She has worked as soloist in productions of Agustín Carbonell “el Bola” and Manuel Cuevas. She also performs frequently as soloist in tablaos such as Los Gallos in Seville, Las Tablas in Madrid, Los Tarantos and Las Ramblas in Barcelona and in Japan.
Lorena began studying dance at the age of five in her home town of Cordoba. She continued her studies there until 2005 when she received a grant to study with the well-known Maestro Granero in Seville. There she also studied with Andrés Marín, Isabel Bayón, Rocío Coral, Matilde Coral, Rubén Olmo, Antonio Canales, Rafael Campallo, Encarna López, Adela Campallo and Eva Yerbabuena, among others. She began her professional career with Eva Yerbabuena in 2006 and worked with her until 2017 as rehearsal director. She then worked with other companies such as Daniel Navarro, Javier Latorre, Andrés Peña, Álvaro Paños, among others. She has worked as soloist in productions of Agustín Carbonell “el Bola” and Manuel Cuevas. She also performs frequently as soloist in tablaos such as Los Gallos in Seville, Las Tablas in Madrid, Los Tarantos and Las Ramblas in Barcelona and in Japan.
Adrian studied at the Seville Conservatory of dance from 2007 to 2011 and with Matilde Coral and Manolo Marin, the two most known maestros in Seville, and toured with the dance ensemble Mairena del Aljarafe. Adrian received the First Prize in the youth category in the XXV competition of regional dances in 2008. In 2017 he received the first Prize for Jóvenes Talento from the Cristina Heeren Foundation. He has studied with Juan Manuel Fernández Montoya (Farruquito), Manuel Betanzos, Juan de los Reyes, Alicia Márquez, Rafaela Carrasco, Rosario Montoya (La Farruca), Rafael Campallo, Antonio “El Pipa,” and Andrés Peña, among others. From 2014 to 2017, Adrian resided and performed in tablaos in Madrid such as: Casa Patas, Torres Bermejas, Villa Rosa, and La Pacheca. Presently he is living in Seville performing at tablaos such as Los Gallos, and Auditorio Álvarez Quintero, and he is a member of and has toured with the Company of Jose Antonio Ruiz.
Adrian studied at the Seville Conservatory of dance from 2007 to 2011 and with Matilde Coral and Manolo Marin, the two most known maestros in Seville, and toured with the dance ensemble Mairena del Aljarafe. Adrian received the First Prize in the youth category in the XXV competition of regional dances in 2008. In 2017 he received the first Prize for Jóvenes Talento from the Cristina Heeren Foundation. He has studied with Juan Manuel Fernández Montoya (Farruquito), Manuel Betanzos, Juan de los Reyes, Alicia Márquez, Rafaela Carrasco, Rosario Montoya (La Farruca), Rafael Campallo, Antonio “El Pipa,” and Andrés Peña, among others. From 2014 to 2017, Adrian resided and performed in tablaos in Madrid such as: Casa Patas, Torres Bermejas, Villa Rosa, and La Pacheca. Presently he is living in Seville performing at tablaos such as Los Gallos, and Auditorio Álvarez Quintero, and he is a member of and has toured with the Company of Jose Antonio Ruiz.
Laura Peralta is a flamenco dancer and native New Yorker with Afro-Dominican roots. She dances for companies including: Flamenco Vivo Carlota Santana, Soledad Barrio y Noche Flamenca, A Palo Seco Flamenco, Nelida Tirado Flamenco, Pasión y Arte, Omayra Amaya Flamenco Dance Company, and Isaac Tovar Compañia Flamenca. Laura graduated from the Johns Hopkins University, studied classical piano for a decade at the Manhattan School of Music and was a scholarship recipient at the School at Jacob’s Pillow. She was selected for MNE’s Emerging Choreographer Series in 2021 and chosen as the returning choreographer in 2022 . Peralta has presented work at the Queensborough Dance Festival and her original choreography “Rondeña” is featured in Flamenco Vivo’s dance film “6Hilos”. Laura has imparted masterclasses at numerous university dance programs, including at the Kaatsbaan Ballet Intensive. She has performed in Spain, Holland and throughout the US at venues including the Delacorte Theater, the Rockefeller Estate, Kaatsbaan Cultural Center, NWS Symphony Orchestra, BAM Fisher Hall, Jacob’s Pillow Inside/Outside Festival and the Joyce Theater. She was recently featured in a production of “Carmen” at Lincoln Center, and in “Amor Brujo” alongside choreographer Isaac Tovar, dancer Irene Lozano and cantaora Esperanza Fernandez. She currently tours nationally and teaches in NYC.
Laura Peralta is a flamenco dancer and native New Yorker with Afro-Dominican roots. She dances for companies including: Flamenco Vivo Carlota Santana, Soledad Barrio y Noche Flamenca, A Palo Seco Flamenco, Nelida Tirado Flamenco, Pasión y Arte, Omayra Amaya Flamenco Dance Company, and Isaac Tovar Compañia Flamenca. Laura graduated from the Johns Hopkins University, studied classical piano for a decade at the Manhattan School of Music and was a scholarship recipient at the School at Jacob’s Pillow. She was selected for MNE’s Emerging Choreographer Series in 2021 and chosen as the returning choreographer in 2022 . Peralta has presented work at the Queensborough Dance Festival and her original choreography “Rondeña” is featured in Flamenco Vivo’s dance film “6Hilos”. Laura has imparted masterclasses at numerous university dance programs, including at the Kaatsbaan Ballet Intensive. She has performed in Spain, Holland and throughout the US at venues including the Delacorte Theater, the Rockefeller Estate, Kaatsbaan Cultural Center, NWS Symphony Orchestra, BAM Fisher Hall, Jacob’s Pillow Inside/Outside Festival and the Joyce Theater. She was recently featured in a production of “Carmen” at Lincoln Center, and in “Amor Brujo” alongside choreographer Isaac Tovar, dancer Irene Lozano and cantaora Esperanza Fernandez. She currently tours nationally and teaches in NYC.
Ricardo Moro was born in Madrid in 1989. He graduated in Spanish Dance and Flamenco at age 15. Later he joined the Ballet de Carmen Mota, a company followed by others such as Belén López; Flamenco Hoy, by Carlos Saura (directed by Rafael Estévez and Valeriano Paños); Flamencos En route, as a solo dancer and choreographer (sharing a poster at the Dusseldorf Opera with Mats Ek and Ana Laguna); Ballet Flamenco de Andalucía (directed by Rafael Estévez and Valeriano Paños); María Juncal, in “Flamenco nuevo”; Carlos Chamorro, in “Sed” and “Mujeres de Jacinto,” La Truco, in “Sentencia” (Festival de Jerez), among others. He currently works in the different and prestigious tablaos of Madrid: Corral de la Morería, Casa Patas, Villa Rosa, Café de Chinitas, Las Carboneras, Torres Bermejas, and in Seville: El Arenal, Los Gallos and in Los Tarantos, in Barcelona. In 2013, he was awarded the second prize of choreography in the Dance and Performing Arts Contest of Alcobendas with his own choreography, “Catharsis”.
Ricardo Moro was born in Madrid in 1989. He graduated in Spanish Dance and Flamenco at age 15. Later he joined the Ballet de Carmen Mota, a company followed by others such as Belén López; Flamenco Hoy, by Carlos Saura (directed by Rafael Estévez and Valeriano Paños); Flamencos En route, as a solo dancer and choreographer (sharing a poster at the Dusseldorf Opera with Mats Ek and Ana Laguna); Ballet Flamenco de Andalucía (directed by Rafael Estévez and Valeriano Paños); María Juncal, in “Flamenco nuevo”; Carlos Chamorro, in “Sed” and “Mujeres de Jacinto,” La Truco, in “Sentencia” (Festival de Jerez), among others. He currently works in the different and prestigious tablaos of Madrid: Corral de la Morería, Casa Patas, Villa Rosa, Café de Chinitas, Las Carboneras, Torres Bermejas, and in Seville: El Arenal, Los Gallos and in Los Tarantos, in Barcelona. In 2013, he was awarded the second prize of choreography in the Dance and Performing Arts Contest of Alcobendas with his own choreography, “Catharsis”.
José is an award-winning guitarist: a composer, virtuoso, and performer whose original compositions range from the most traditional to the most experimental forms in flamenco music. Following the oral traditions of the form, he became the prized pupil of the legendary Mario Escudero at the age of 15. In 1995 he appeared in Felix Grande’s book “Agenda Flamenca” as one of the best guitarists in Spain. The unique versatility of José Luis allows him to navigate the dazzling ocean of flamenco, from the accompaniment of singers and dancers to demanding waters of songwriting and solo performance. He was the musical director and composer for the Ballet Cristina Hoyos for ten years (the star of Carlos Saura’s films) and his collaborations, Siudy Garrido, José Mercé, Concha Buika, Belén Maya, Farruquito, Antonio Canales, La Des Moines Symphony Orchestra and The Los Angeles Philharmonic LA Phil, among other figures, they speak eloquently of his distinguished artistic personality. While his practice is rooted in the traditional flamenco, Jose Luis’ work goes far and beyond the flamenco parameters, his music cannot be just labeled as flamenco, but as world music, this can be seen in one of his latest collaborations with the composer Colin Farish on his work “East of the Evening Star”. His commitment to his practice, his profound knowledge of the tradition and the roots combined with the desire for research and experimentation, and his contemporary approach to flamenco music, gives Jose Luis a powerful potential to be considered as one of the best guitarists of today.
José is an award-winning guitarist: a composer, virtuoso, and performer whose original compositions range from the most traditional to the most experimental forms in flamenco music. Following the oral traditions of the form, he became the prized pupil of the legendary Mario Escudero at the age of 15. In 1995 he appeared in Felix Grande’s book “Agenda Flamenca” as one of the best guitarists in Spain. The unique versatility of José Luis allows him to navigate the dazzling ocean of flamenco, from the accompaniment of singers and dancers to demanding waters of songwriting and solo performance. He was the musical director and composer for the Ballet Cristina Hoyos for ten years (the star of Carlos Saura’s films) and his collaborations, Siudy Garrido, José Mercé, Concha Buika, Belén Maya, Farruquito, Antonio Canales, La Des Moines Symphony Orchestra and The Los Angeles Philharmonic LA Phil, among other figures, they speak eloquently of his distinguished artistic personality. While his practice is rooted in the traditional flamenco, Jose Luis’ work goes far and beyond the flamenco parameters, his music cannot be just labeled as flamenco, but as world music, this can be seen in one of his latest collaborations with the composer Colin Farish on his work “East of the Evening Star”. His commitment to his practice, his profound knowledge of the tradition and the roots combined with the desire for research and experimentation, and his contemporary approach to flamenco music, gives Jose Luis a powerful potential to be considered as one of the best guitarists of today.
Calvin Hazen has relocated to the United States after 20 years of living and working as a professional guitarist in Madrid, Spain. During this time, he performed at some of the most famous Flamenco Tablaos in Spain, including El Corral de La Moreria, Casa Patas, Las Carboneras, Las Tablas and El Teatro Arenal. Here he shared the stage with such illustrious artists as Jesus Carmona, Nino de los Reyes, Karime Amaya, Manuel Liñan, Carmen “La Talegona,” and Belen Lopez to name but a few. He has performed at some of the most prestigious theatres in the U.S. as well as internationally including Radio City Music Hall and Lincoln Center in New York City, Teatro Nacional in Mexico City and Teatro Madrid in Spain where his performances have enjoyed enthusiastic critical acclaim. He has worked as musical director and composer for numerous companies including Suite Española, Carlota Santana Flamenco Vivo and Maria Benitez Teatro Flamenco. He is a regular performer and instructor for Festival Flamenco, Albuquerque. Calvin has worked as instructor and accompanist/composer in the Theatre and Dance Department at UNM. Most recently, he collaborated with Spanish pop icon PABLO ALBORAN on the recording of “Terral”, the 5-time platinum selling record which enjoyed 11 straight weeks as Spain’s number one selling record.
Calvin Hazen has relocated to the United States after 20 years of living and working as a professional guitarist in Madrid, Spain. During this time, he performed at some of the most famous Flamenco Tablaos in Spain, including El Corral de La Moreria, Casa Patas, Las Carboneras, Las Tablas and El Teatro Arenal. Here he shared the stage with such illustrious artists as Jesus Carmona, Nino de los Reyes, Karime Amaya, Manuel Liñan, Carmen “La Talegona,” and Belen Lopez to name but a few. He has performed at some of the most prestigious theatres in the U.S. as well as internationally including Radio City Music Hall and Lincoln Center in New York City, Teatro Nacional in Mexico City and Teatro Madrid in Spain where his performances have enjoyed enthusiastic critical acclaim. He has worked as musical director and composer for numerous companies including Suite Española, Carlota Santana Flamenco Vivo and Maria Benitez Teatro Flamenco. He is a regular performer and instructor for Festival Flamenco, Albuquerque. Calvin has worked as instructor and accompanist/composer in the Theatre and Dance Department at UNM. Most recently, he collaborated with Spanish pop icon PABLO ALBORAN on the recording of “Terral”, the 5-time platinum selling record which enjoyed 11 straight weeks as Spain’s number one selling record.
Francisco “Yiyi” Orozco comes from an Andalusian family, born in Barcelona, and was introduced to Flamenco rhythms at the tender age of four. Yiyi was trained by flamenco singer and father “Joselón de Jerez” in his Spanish peña named “Peña Fosforito.” Considered a child prodigy of percussion Yiyi began his professional career at the age of twelve. By age seventeen, and one CD later, he became more involved with singing, and left Spain for Germany on a long-term contract with the company “Flamenco Rubio.” Since that time he has performed with “Compañia Flamenca Alhama” throughout Europe and Japan; with María Benitez “Teatro Flamenco” and Domingo Ortega as well as at “Casa Patas” in Madrid; with Jose Greco II; and with world-renowned guitarist Serranito. He has also performed with Alejandro Granados, Yolanda Heredia, El Toleo, El Pelao, María Serrano, La Tania and Antonio Granjero.
Francisco “Yiyi” Orozco comes from an Andalusian family, born in Barcelona, and was introduced to Flamenco rhythms at the tender age of four. Yiyi was trained by flamenco singer and father “Joselón de Jerez” in his Spanish peña named “Peña Fosforito.” Considered a child prodigy of percussion Yiyi began his professional career at the age of twelve. By age seventeen, and one CD later, he became more involved with singing, and left Spain for Germany on a long-term contract with the company “Flamenco Rubio.” Since that time he has performed with “Compañia Flamenca Alhama” throughout Europe and Japan; with María Benitez “Teatro Flamenco” and Domingo Ortega as well as at “Casa Patas” in Madrid; with Jose Greco II; and with world-renowned guitarist Serranito. He has also performed with Alejandro Granados, Yolanda Heredia, El Toleo, El Pelao, María Serrano, La Tania and Antonio Granjero.
Francisco Trinidad “El Trini de la Isla” was born in Cadiz began studying cante at a young age with Manuel Soto “Sordera de Jerez.” At age 22 he dedicated himself to becoming a professional and began singing in festivals and clubs throughout Andalucía. During this time, he received First Prize in the Tacita de Plata contest and as well as First Prize in the contest “Cameron de la Isla” de San Fernando. In 2002 he recorded his first CD with Cristina Hoyos. He then continued his professional trajectory performing in tablaos in Barcelona, Madrid and Seville. He has performed in festivals such as Festival de Nimes, Mont de Marson Potaje de Utrera and the Festival de Jerez and has toured world-wide. He has performed with Miguel Poveda in the Bienal de Sevilla and with Rosario Toledo, Alejandro Granados, and Pastora Galvan, among others. He is the singer for the flamenco school “Manuel Betanzos” and presently works with many Companies touring and in tablaos singing for dance.
Francisco Trinidad “El Trini de la Isla” was born in Cadiz began studying cante at a young age with Manuel Soto “Sordera de Jerez.” At age 22 he dedicated himself to becoming a professional and began singing in festivals and clubs throughout Andalucía. During this time, he received First Prize in the Tacita de Plata contest and as well as First Prize in the contest “Cameron de la Isla” de San Fernando. In 2002 he recorded his first CD with Cristina Hoyos. He then continued his professional trajectory performing in tablaos in Barcelona, Madrid and Seville. He has performed in festivals such as Festival de Nimes, Mont de Marson Potaje de Utrera and the Festival de Jerez and has toured world-wide. He has performed with Miguel Poveda in the Bienal de Sevilla and with Rosario Toledo, Alejandro Granados, and Pastora Galvan, among others. He is the singer for the flamenco school “Manuel Betanzos” and presently works with many Companies touring and in tablaos singing for dance.
